By Osama Diab
The spread of print media in the 19th century played a profound role in shaping modern Egyptian nationalism and its quest for full independence.
Wednesday 26 September 2012
From its very inception, modern Egyptian nationalism was defined by its struggle against foreign influence. The Albanian military commander who became the Khedive Muhammad Ali is widely believed to be the founding father of modern Egypt, and also the founder of its bureaucratic establishment, which prompted a growth in the native urban Egyptian middle class, or the âeffendisâ. The middle class up to this point had largely been confined to Ottomans and Europeans, while the vast majority of native Egyptians focused on farming in this highly agrarian society.
This rise in literacy and the wave of modernisation led to an explosion of print culture, which was also central to Muhammad Ali's plan. Many newspapers and periodicals were founded in the 19th century. Education and migration from the countryside to urban centres brought Egyptians into contact with Europeans and Ottomans in the workplace and the same neighbourhoods. This made the striking injustice in this ‘caste system', things such as a separate a judicial system for Europeans known as capitulations, more obvious and glaring by the day.
Adib Ishaq, a Syrian-Christian journalist and writer who lived in Egypt in the second half of the 19th century wrote: “Not a day goes by but we hear that such-and-such Italian or Maltese stabbed an Egyptian national with a dagger. The wounded victim is carried to the hospital,whereas the assailant is delivered to the consulate, and put in a luxurious room where he eats gourmet meals. He is released almost as soon as he arrives.”
The American historian Juan Cole describes Ishaq as one of the first in Egypt to write extensively on ideas of liberalism, constitutional monarchies and democracy, but was never given enough credit for it. “His technical interests as a journalist led him to support freedom of speech and free criticism of government policy. His [Free] Masonic ideals of service to mankind, his vaguely Young Ottoman political culture, and the patronage links he established in Egypt reinforced these interests,” explains Cole.
Cole argues that the rise of ideas about freedom and democracy in Egypt could be traced back to the emergence of cultural salons and political clubs, such as those belonging to the Free Masons (which Ishaq himself belonged too), the Young Egypt and Young Officers movements. All these had a number of goals in common: they strove to bring an end to European hegemony and to reform Egyptian society into one based on the ideals of equality, liberty and democracy.
The development of the print media, postal service, telegraph lines and the extension of the railway network under Khedive Ismail, allowed dissident organisations to recruit and coordinate with members in other cities.
Cole describes print culture as the most signiï¬cant means of communication between like-minded people who could not meet face to face. This echoes Benedict Anderson's theory that print-capitalism laid the foundation for national consciousness by creating âmechanically reproduced print languages capable of dissemination through the market”. It was easy then to form what Anderson calls the âimagined communityâ – a community whose geographical boundaries extend beyond that daily face-to-face interaction of its members – a prerequisite for national consciousness.
The first Egyptian newspaper was published in 1828 during the Muhammad Ali era, although Al-Waqa'e Al-Masreya (Egyptian News) was only circulated among government officials and military officers. In the 1840s, Islamic reformist Rifa'a al-Tahtawi became the newspaper's editor and used it as a platform for his reformist ideas, which proved so unpopular with the new ruler, Khedive Abbas I, that Tahtawi was exiled to Sudan.
Another major revolutionary publication of the time was Abu Naddara Zarqa (The Man with the Blue Spectacles), which was founded in 1877 by Egyptian Jew and Free Mason Yaqub Sannu. It was a platform for the newly-born Egyptian nationalism and its political cartoons were critical of the political and economic situation of the time. Because it was perceived as too revolutionary, Sannu was, like Tahtawi, also exiled, but this time, to France, in 1878, after publishing 15 issues of the magazine.
Cole wrote that, being a Jew and a Mason, Sannu promoted religious tolerance among Egyptians, but was still willing to use Islamic rhetoric against European exploiters of the country. He continued to produce the magazine from France and the controversial publication was reportedly smuggled into Egypt and widely read despite the ban.
The emergence of an educated middle class with such ideals and the imposition of higher taxes on the peasantry due to Egypt's financial hardship led to discontent and anger which took the form of continuous protests in 1879 against Khedive Tawfiq. Tawfiq replaced his father, Ismail, who was more of an inspiring and accomplished leader. Khedive Ismail, who was deposed by the Ottoman Sultan at the insistence of Britain and France, was angry at growing European influence due to Egypt's inability to repay its debt, and called on Egyptians to rise up against the Europeans.
Led by the legendary Egyptian army general Ahmed Orabi, this uprising drew the support of both the liberal middle-class and the struggling peasantry, and towards its end, Orabi was in complete control of the military, and some argue, the country as a whole.
This struggle against foreign influences and the unjust social reality is believed by many scholars to have marked the beginning of the construction of modern Egyptianism as a cultural and intellectual movement. For a long time prior, Egypt was defined as a state within larger empires and its identity had revolved around its ruling dynasty. For the first time in modern history, Egypt started having a personality independent of its rulers. The Orabi movement led to dramatic changes and promoted ideals which still define Egyptian identity today.
But what defined the first version of Egypt's modern nationalism? As Cole argues, revolutions against informal empires typically appeal to native symbols, and the most obvious one in the case of the Orabi movement was local religion: Islam. This is why another Western historian Alexander SchÃ¶lch claimed that the Orabi revolt was not a French secular type of revolution.
It is true that Orabi did not revolt against the religious establishment like the French revolution did, but this could be because the struggle was against a foreign nobility not a local one, as was the case in France. Although Orabi's Islamic tendencies were unmistakeable and his role in Islamic education in his exile in Ceylon (now Sri Lanka) is evidence of that, the focus of his discourse was social justice and freedom, and his dichotomy was Egyptians versus foreigners, not Muslims versus Jews or Chrisitians. This is apparent in one of the revolution's slogans âEgypt for the Egyptiansâ, which drove people like Ishaq, a Syrian Christian, to abandon the revolution after initially supporting it.
The Orabi movement was so successful that the Khedeivite regime seemed to be on the verge of collapse when Tawfiq escaped to Alexandria and the popularity and power of Orabi was on the rise. However, this all changed when British forces conquered Alexandria to thwart Orabi's revolutionary project and save Tawfiq Pasha. The British military invasion of 1882 succeeded in defeating the Orabi forces in the famous Elkebir hill battle.
The occupation resulted in Orabi's exile to Ceylon and the restoration of Khedive Tawfiq as the ruler of Egypt, but, as Egyptian nationalism was largely based on the struggle for independence, the British presence did nothing but boost it.
This is the first part in a series of articles exploring the role of the media in shaping Egypt's modern national consciousness and Egyptian nationalism, as well as fomenting revolution. Part II will focus on the role of the media in moulding pan-Arab nationalism and Nasserism.