News of revolution (part III): Televising the life and death of an Egyptian president

 
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By Osama Diab

Anwar Sadat was the first Egyptian leader to exploit television’s propaganda power – and even his assassination was unwittingly televised.

Saturday 3 November 2012

In 1970, President Gamal Abdel-Nasser died and with him the  dream of uniting the Arab world from the “ocean to the gulf” under his leadership. However, despite the humiliating defeat of 1967, Nasser died as a popular, yet wounded, leader and his extremely emotional funeral – which was attended by at least five million in Cairo alone, not to mention all the mourners who poured on to the streets of cities across the Arab world – was one of the largest in history.

Initially regarded as a weak leader and an interim figurehead until Nasser’s “true successor” emerged, Anwar Sadat was quick to try to establish himself as the undoubted leader of Egypt by carrying out a self-described “corrective revolution” which involved pursuing and purging what he called “marakiz al-qowa”  (“centres of power”) who were believed to be pro-Soviet and loyal to Nasserist ideology.

On 15 May 1971, Sadat announced that more than a 100 “centres of power” had been charged with plotting a coup to overthrow him. Continuing this trend of overturning Soviet influence, Sadat took a landmark decision in 1972  to expel the Soviet military advisors from Egypt. After fighting the October War against Israel in 1973, Sadat continued his aggressive reforms by opening up Egypt’s state-run command economy to private enterprise and engaging in peace negotiations with Israel which started in earnest with his historic visit to Jerusalem in 1977 and culminated with the signing of the 1979 Egyptian-Israeli peace treaty.

Throughout the 1970s, Egypt gradually shifted its orientation from the East to the West — the former rivals of Egypt during the Nasser era — and broke off relations with Nasser’s Soviet allies. This new policy direction was accompanied by a relative openness in the political climate and the incorporation of the principles of liberal democracy in Egypt’s official discourse.  The aggressive liberalisation of the economy and remarkable change in foreign policy required a new type of national narrative, especially when the Arab world decided to isolate Egypt after Sadat extended the hand of peace to Israel, the Arab world’s then-official enemy.

Mahmoud Shalabieh, the Jordanian media scholar, argues that, although radio was utilised by Sadat in the same way it was by Nasser, to publicise his policies and persuade the nation their merits, Sadat possessed a powerful new media weapon: television. Shalabieh argues that television influenced the way Sadat and then-Israeli Prime Minister Menachem Begin behaved during the peace talks. “By knowing that the whole world was watching, they seem to have been self-conscious about the long-lasting effect they were creating by engaging in these peace talks,” Shalabieh argues.

However, television, even more so than the press, was under Sadat’s total control. The 1970s could be described as the decade of television and the press, while Nasser’s favourite medium, radio, experienced a relative decline. As it became more affordable and its reach spread to every corner of the country, television replaced radio as the main tool for propaganda. In a way, TV also suited Sadat’s extroverted personality and his love of basking in the spotlight.

Sadat focused more on Egyptian affairs as opposed to Arab issues, and asserted that Egypt was his first responsibility. According to Shalabieh, he adopted “Egyptian patriotism” as the major value of Egypt’s foreign policy, a far cry from Nasser’s assertion that Egypt’s main responsibility and focus was to the Arab world. This brand of nationalism, often referred to as “Pharaonism”, was not new at the time, but had reached its peak during Egypt’s liberal era, after its official independence in 1921 and up until 1952.

Sadat was very aware of the power of television as a medium to express his fury against Egypt’s suspension from the Arab league. In a televised speech before the parliament in the last days before his assassination, Sadat sent a clear Egypto-centric message to Egypt’s one-time Arab “brothers”: “We are the origin of the Arabs. Hagar, the wife of Abraham, is the mother of Ismael, the ancestor of the Arabs. Hagar is Egyptian. So if there is someone out there who wants to belong, they should belong to Egypt, not Egypt to them. There is no point in these debates about whether we belong to the Pharaohs or not. Our blood is Arab and we are the origin of the Arabs and they belong to us.”

Adeed Dawisha, an Iraqi scholar who wrote extensively on Arab nationalism, explained: “Given the inherent strength of this feeling of ‘Egyptianism’, it was hardly surprising that Abdel-Nasser’s successor, Anwar Sadat, would use it in order to escape the overbearing legacy of his towering predecessor.” He explains that Sadat began by changing Nasser’s name for Egypt, the United Arab Republic, to the Arab Republic of Egypt, “where ‘Arab’ is only the adjective and ‘Egypt’ is the noun.”

“Simultaneously, Sadat embarked on a policy of cultural reorientation toward Egypt. This was evident in subtle changes in school curricula, highlighting Egypt’s long history, cultural prominence, and unique personality. The government-controlled media similarly spotlighted Egypt’s prestige and status in international affairs. By the end of the 1970s, Egyptian nationalism had won the day in Egypt,” observes Dawisha.

The press also played an important part in shaping this era and in telling us its story. As Sadat wished to give his liberal reforms a democratic and pluralistic sheen, a partisan press was allowed to form, and was partly tolerated, as an outcome of the Political Parties Law of 1977. Sadat initially allowed three parties to form representing the left, the centre and the right. The first partisan newspaper to be launched was al-Ahrar, which belonged to what Sadat decided to be Egypt’s rightwing party.

In addition, the tolerated-but-banned Muslim Brotherhood was allowed in 1976 to publish a monthly magazine al-Da’wa (The Call to Islam). The Brotherhood’s publication was very critical of Arab nationalism, communism and secularism, and this, some believe, served the goal of a Sadatist state that was more troubled by Nasserism and left-wing ideologies than with pan-Islamism.

The magazine’s cover, which is often indicative of what a publication stands for, had headlines such as “The Qur’an is above the constitution”, “Islam between the slumber of its followers and the attacks of its enemies”, “Where will the encroachment of communism lead?”. These topics were more or less the main themes of the magazine until it was shut down in 1981.

The Sadat-Brotherhood alliance began to sour after the peace treaty and when his regime began to obstruct the student movement which was openly backed by the Brotherhood. The Brotherhood did not escape the massive crackdown on dissent and arrests Sadat ordered before his assassination as his popularity in a desperate bid to salvage his plummeting popularity and his increasingly shaky grip on rule.

Although Sadat utilised different forms of media to propagate the country’s new, supposedly open political line, the insecurity he felt towards the end of his rule led him to abandon his promise of pluralism and greater freedoms. Many writers, politicians and journalists who opposed him were imprisoned and more restrictive measures were imposed on the media.

Despite this, the relative openness of the political climate compared with the Nasser era, meant that the Sadatist discourse received some competition from other non-official nationalist narratives, such as the struggling pan-Arabism and the emerging pan-Islamism. However, Sadat believed that these attempts were only operating in a margin of freedom he himself and so posed no threat to his rule.

In this, as hindsight reveals, Sadat was clearly wrong, as demonstrated by his assassination during the 8th celebration of the October War, in 1981, at the hands of Islamic militant groups who succeeded in infiltrating the military. Interestingly, Sadat was not only the first Egyptian leader to exploit the power of TV, but he became the only Egyptian leader whose death was televised.

But Sadat’s assassination failed to kill off his policies. Although some areas, especially in Upper Egypt, fell under the temporary control of militant Islamic groups after his death, the attempt to overthrow Sadat did not succeed in establishing a new Islamist order. Sadat’s successor Hosni Mubarak can now be seen in retrospect, especially in his early years, as having maintained and extended Sadat’s policies and official nationalist discourse, despite his success in bringing Egypt back into the Arab fold and his decision to release most of his predecessor’s political prisoners.

Egypt’s alliance with the West, peace with Israel, the façade of democratisation masking his dictatorial regime and the emphasis on Egyptian nationalism remained intact throughout most of Mubarak’s 30-year-long rule, which eventually brought about an unprecedented level of corruption, nepotism and inequality, at least in Egypt’s republican era.

This is the third part in a series of articles exploring the role of the media in shaping Egypt’s modern national consciousness and Egyptian nationalism, as well as fomenting revolution. Part I focused on the role of the nascent print media in shaping Egyptian nationalism and national identity in the 19th century. Part II dealt with Nasser’s use of radio to propagate his pan-Arabist ideology.

Part IV will deal with satellite television, the internet and the explosion of independent media, as well as how Egypt’s new rulers, the Muslim Brotherhood, despite decades of opposition, are largely continuing the Sadat-Mubarak line.

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Video: Personal Palestine – Part 1: A disappearing world

 
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By Khaled Diab

In part I of this Palestinian great-grandmother’s story, she tells of the tranquil Jerusalem in which she spent her youth until disaster struck.

Friday 11 May 2012

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Um Khalil is a walking embodiment of modern Palestinian history and has lived through the most significant events of the past nine decades. A great-grandmother of 90, she has known peace, tranquility and tolerance… war and displacement… not to mention, British, Jordanian and Israeli rule, but no independence.

History is usually about mega events and the acts of leaders. And millions of us are familiar with the politics, wars, ideology and major episodes of the Arab-Israeli and Israeli-Palestinian conflict. But what about ordinary people? What was and is life like for them on the ground? How did the major convulsions of the conflict affect them? Do their personal experiences match the familiar narratives?

Um Khalil’s memories and recollections can provide us with some valuable insights into the personal history of a Palestinian person, as opposed to the more familiar collective history of the Palestinian people. Of course, Um Khalil’s personal history, like her life, is unique to her, and her experiences and impressions are not universal – some will be similar to the experiences of other Palestinians, others will differ.

Born in 1922 at the beginning of the British mandate over Palestine, Um Khalil missed the convulsions of World War I and Ottoman rule, which she only heard about from her parents. She was born into a prominent Palestinian family and spent the early years of her life in the ancient melting pot of the old city.

At the age of six or seven, following a major earthquake, her family was forced to move out of the old city and settle in one of the modern new neighbourhoods just outside the city’s walls.

Though she distrusts the British and blames them for what befell her country, she admired their cordiality, politeness and efficiency. “If they saw an Arab woman on the pavement, they stepped off onto the road. They never bothered anyone,” she opines.

She got married at the age of 19 to a young man who was in charge, as his ancestors had been, with managing the affairs of the Holy Sanctuary (the al-Aqsa mosque and the Dome of the Rock). Though they were married in 1941, World War II passed but hardly noticed, except for the fact that they had to blackout their windows at night. But their time was soon to come.

“Life in Jerusalem was beautiful,” she remembers, and with their comfortable lifestyle, there seemed no reason why it should not be. The young couple made their home in West Jerusalem, near al-Baladiya (City Hall), which was then home to well-to-do Arabs and Jews. “We lived side by side, Muslims, Christians and Jews,” she recalls nostalgically.

Describing her Jewish neighbours as “friends”, she recalled how Arabs and Jews mixed freely, and some even came searching for them, 19 years after they’d last seen each other, following Israel’s capturing of East Jerusalem and the West Bank in 1967.

Her Jewish neighbours, all of whom spoke Arabic, shared a love for the Egyptian silver screen and, in those days without home entertainment systems, the local cinema was a popular hangout for all.

A particular favourite for all was the legendary Jewish Egyptian actress Leila Murad who came numerous times to visit Jerusalem, as did many other leading lights of Arab art, including the Syrian-Druze superstars Asmahan and her brother Farid al-Atrash and the “Lawrence Olivier” of the Arab World Youssef Wahbi.

This interfaith mixing had its advantages, lots of holidays to celebrate. “Muslims would celebrate Christian festivals with Christians, and Christians would celebrate Muslim festivals with us. And the same went for the Jews. We were all the same, except that each followed their own religion,” she said.

Um Khalil had little sense of the clouds of war and disaster forming on the horizon, nor did the low-intensity conflict between Zionist settlers and Arab nationalists register much in her daily life, though she would sometimes hear “older people talking about the Balfour Declaration”.

But then the UN partitioned Palestine and this comfortable, middle-class world came crashing down around everyone’s ears. Though the early fighting during the civil war had not affected them or their lives, when her son was about four months old and her daughter was four, they heard about the Deir Yassin massacre. “Everyone was afraid and people around here began to flee,” she recalled, describing the streams of frightened citizens carrying their children and a few belonging as they fled for safer ground.

Afraid that something might befall their children, they first fled to her family’s home, which was in a safer corner of Jerusalem. Then her mother-in-law urged her husband to seek refuge for his young family with a distant relative in Amman which was tiny, underdeveloped and full of “Bedouin houses”. “We left with nothing,” she says. And after a few months there, they returned to nothing, finding that their home had fallen inside the Jewish-controlled part of the city.

There, the landscape which greeted them was one in which tents outnumbered houses. “They pitched tents everywhere. There were no houses, just empty land full of tents,” she describes, recalling the wretched souls they saw in the refugee camps.

They were a little more fortunate, though eight of her family stayed in a single tiny room. “The Palestinians were fed a curse,” she concludes. And this “curse” they call the Nakba, or Catastrophe.

 

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Revolution@1: The Egyptian revolution as a historical event

 
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By Osama Diab

In the social media age, revolutions will no longer be followed by the constructing of a national identity based on just one “universal” truth.

Wednesday 25 January 2012

Recognising the importance of producing a grassroots, street-level media by the people and for the people, a group called Kazeboon (Liars) was founded following the outbreak of the Egyptian revolution to record the human rights violations committed by the security forces. They use simple citizen journalism tools, such as camera phones, and equipped with a projector, they roam the streets of the nation to screen the films they make in order to, in their own words, “keep the balance of truth”.

As a counter move, a group called Sadiqoon (Honest) was founded to project a positive image of the military police and try to prove by film that violence was carried out by protesters.

These two rival projects reflect divisive sentiments and narratives that are common in Egypt and are splitting the population. But which of these narratives, and many more, will actually make it into the history books remains the interesting question.

Michel Foucault, the French philosopher and sociologist, argues that the winners in any social or political struggle use their newly acquired political power to suppress the defeated’s alternative account of events. But do governments still have the luxury to suppress opposing narratives in the age of social media?

The historiographical approach to documenting major social and political transformations and the introduction of a new order differ quite considerably from one time to another, and from place to place. Pierre Nora, the French historian, explains that one approach is constructing a unified standard version of “what happened” in order to promote a unified national identity and social cohesion where the nation usually end up having a standard language, national holidays, etc. This approach was mainly predominant in the UK and France. However, in the United States, a large country with various traditions, the approach to writing history allows for more diversity and a wide range of narratives to emerge.

The construction of a unified national identity which Nora refers to requires the existence of a centralised media apparatus, usually government-owned, which sends a standard message to all the citizens of a nation. However, this is a fading phenomenon all over the world due to globalisation and the emergence of decentralised media. This means that it is getting increasingly hard for any government to have total control over the means of producing media and culture.

In the United States, some of the history and even the visual culture that emerged from the Civil War, was written by the defeated (the Southerners). Popular Hollywood box office hits, such as Cold Mountain and Gone with the Wind all tell the story of the civil war from a Southern perspective. In addition, even though the USA didn’t ‘win’ the Vietnam war, most films about Vietnam are American.

The openness and freedom of the American media, along with its diverse tradition, is probably what allows it more than other nations to present different and sometimes conflicting narratives and accounts without awakening the fear that this might affect national identity or social cohesion.

The Egyptian revolution is one of the first major political and historical transformations to be driven by online activism, but most importantly, this online activism still cast its shadow on how people want their revolution to be remembered, and there seems to be no consensus on the matter.

The so-called Arab Spring in general and the Egyptian revolution in particular are perfect examples of when diverse interpretations become inevitable in the age of digital media and open access to information. Arab countries are a good example because they have always been under authoritarian rule, with the media, culture and history traditionally under tight government control. Even though the new media and the information era have been covered quite intensively as the driving force behind the Arab revolutions, little has been said about the way it might affect how these revolutions, important historical events in their own right, might be remembered by future generations.

Even governmental attempts to document and archive the revolution are very wary of the sensitivity surrounding official accounts of what happened. The National Archive of Egypt appointed the head of the history department at the American Univeristy in Cairo, Khaled Fahmy, to take charge of its project to document and archive the revolution.

Fahmy is well aware of the challenge he faces. He pointed out in an interview with The Guardian newspaper that Egyptians are highly sensitive about official attempts to write history and create state-sponsored narratives about historical events. “When Hosni Mubarak was vice-president in the 1970s he was himself on a government committee tasked with writing – or rather rewriting – the history of the 1952 revolution to suit the political purposes of the elite at that time,” said Fahmy.

Fahmy, therefore, is attempting to only collect as much primary data as possible without trying to impose a certain narrative and leave it to the people, especially future generations, to construct their own narratives about the revolution and its period. Fahmy also makes it clear that, since the revolution was leaderless and decentralised, this should also be our approach to writing its history and accessing it. There are also a few other organised non-governmental attempts to document and archive the revolution by the Bibliotheca Alexandria, American University in Cairo students and alumni, and others.

The fact that the revolution was leaderless makes it a politically sensitive topic. Many factions seem to be fighting to claim ownership of the revolution and attempt to emphasise and stretch their role in it.

A power struggle has emerged in post-revolutionary Egypt to try and fill this power vacuum. Claiming ownership of the revolution and fighting the old regime is central to this power struggle. This dispute is expected to cast its shadow over the writing of the revolution’s history and help further diversify the narratives and interpretations of the events which are taking place.

The media play an important role in constructing national identity to the extent that some argue that nationalism as we know it did not exist before the invention of the printing press, which enabled the emergence of the first mass media. Benedict Anderson in his book Imagined Communities argues that the emergence of print led to the emergence of nationalism because it helped members of a nation ‘imagine’ and identify with a wider community with which they shared no direct contact.

Referred to sometimes as history’s first Facebook revolution, tthe role of social media continues even after the revolution and is causing fragmentation in society, as well as difficulties for the new political leadership to construct a new and unified national identity. More importantly, it is causing a diversity of historical narratives to emerge, not just about the recent revolution but also abut older historical events in which certain narratives were suppressed and swept under the carpet.

However, over time, it might be proven that nationalism and social cohesion are not necessarily linked to having only one version of the ‘truth’ while suppressing all the other versions. Future generations are likely to grow up surrounded by a whole range of historical and political narratives thanks to the decentralisation of media production. On the bright side, this phenomenon might promote tolerance and enhance people’s ability to coexist and accept difference.

This article is part of a special Chronikler series to mark the first anniversary of the Egyptian revolution.

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