Russia takes a “grown up” beating
By Ray O'Reilly
The acid attack on the Bolshoi ballet's director highlights the worrying spread of crime, corruption and intimidation to all facets of life in Russia. Update: reports coming out indicate that long-running internal strife at the Bolshoi may be connected to this attack.
Wednesday 30 January 2013 [update 19 Feb 2013]
Is no one safe from Russia's criminal gangs and shady types? Kidnappings, extortion, bribes, threats … a litany of evil stuff that ordinary Russians face on a daily basis. Now the acid attack on Bolshoi ballet's Sergei Filin puts Russia's revered cultural institution in the spotlight.
Cut someone off on the road, fall foul of the police, forget to pay ‘taxes', start up a rival business … or just become a public figure and you could well find yourself on the wrong side of a dangerous character.
What are the police doing about it? On paper, what the police are supposed to do: investigate, report and occasionally charge someone with a crime. But ask a Russian what the police are doing and the answer will inevitably be “very little” or “too much”.
It's probably this kind of cryptic logic that got Russia into the trouble it now faces. Corruption, it seems, cuts deep into everyday life in Russia. I entered a search query starting with “Why are Russians …” and Google's auto-complete function offered “so crazy and ruthless” before I had even finished writing “Russia”. The query results were illuminating. The top spot went to a Yahoo question-answer which elaborated on the Russian mafia's turf battle with Italian-Irish hard-men in New York.
I then drifted to a story by Business Insider on why Russians use car dashboard cams to record “crazy” stuff on the road, from police graft and road rage to hit-and-runs. There is even a YouTube montage of some of the footage gathered by these ‘dash-cams'.
Russia's former president Dmitry Medvedev blamed these problems on the “undisciplined, criminally careless behaviour of our drivers”, along with poor road conditions. The police also come in for criticism in the Business Insider report. According to Transparency International's Corruption Perceptions Index, corruption undermines countries and institutions and “generates popular anger that threatens to further destabilise societies and exacerbate violent conflicts”.
Indeed, it is the sort of violence we are now witnessing as it spreads from business and politics into the cultural and arts scene in Russia – a facet of life you would not ordinarily expect to be dragged into the greed and graft cycle. In 2012, Russia ranked 133rd on the corruption index. “While no country has a perfect score, two-thirds of countries score below 50, indicating a serious corruption problem,” notes Transparency International.
According to the Organised Crime and Corruption Reporting Project (OCCRP), a Russian initiative, a big chunk of that corruption is by traffic police, which along with kindergartens and universities, was ranked by Russians as the country's most corrupt institution. “Over half of the population surveyed who interacted with traffic police said that they had been asked for a bribe,” the OCCRP reported.
Transparency International sums up the trickle-down damage that corruption inflicts on a society where trust in eroded: “Corruption translates into human suffering, with poor families being extorted for bribes to see doctors or to get access to clean drinking water. It leads to failure in the delivery of basic services like education or health care. It derails the building of essential infrastructure, as corrupt leaders skim funds. Corruption amounts to a dirty tax, and the poor and most vulnerable are its primary victims.”
This sort of corrupt influence doesn't seem to stop at Russia's borders. Interpol must have proverbial drawers-fall of mug shots of organised crime gangs operating out of Russia. Rumour has it that the Russian mob is establishing a foothold in underworlds in major cities around the world, from New York to Antwerp. (Clearly, I didn't ask Interpol or the gangs to confirm this!)
Culture of violence?
Read any webpage on Russian culture and you will be reminded of its rich history, strong traditions and influential arts, especially literature, classical music, architecture and of course the ballet. People like Sergei Filin, head of Russia's Bolshoi ballet, are household names in Russia … hell, the whole world. In fact, he is not the first ‘cultural name' to come to the underworld's attention.
“[Filin's] acid attack has laid bare the poisonous atmosphere that has gripped the Bolshoi,” reports The Guardian. “Once the pinnacle of Russian cultural achievement, the theatre has been beset by scandal in recent years. Even a much-vaunted reopening in October 2011 was marred by accusations of corruption and poor workmanship.”
The attack puts the spotlight on a wave of violence that has swept Russia's arts scene. In the past weeks, several theatrical figures connected to theatres in St Petersburg and Moscow were reported to have been threatened or beaten up.
Kirill Serebrennikov, a director at the Gogol theatre in Moscow, went so far as to publish on his Facebook page the threat he received, which according to The Guardian story went as follows: “Malobrodsky probably didn't tell you what we said while we were beaten [sic] his Jewish mug, but if you don't leave the Gogol theatre then you will be next. Happy New Year, with new feelings. They'll beat you in a grown-up way. Wait for it.”
With all this crime, intimidation and fear of everything from shake-downs to death threats, it is little wonder that Russians record their trip to the supermarket on their dash-cam. But the scariest thing about this Filin story – and the thing that inspired me to write this little missive was the odd phrase, “They'll beat you in a grown-up way”. It says your life, our lives, are filled with child-like notions of fair play. Where a dispute ends in a push-fight or a shouting match and everyone makes friends after the teacher intercedes.
In this dark underbelly, there is no teacher to protect you and the push could be at the end of a shank. A juxtaposition of innocence against anarchy… with all the makings of a Russian realist novel!
[Stay tuned for more intrigue!]
